Hora Staccato(루마니아의 춤곡) - 야사 하이페츠(Jascha Heifetz)의 바이올린

Hora Staccato
Violin : Jascha Heifetz

Piano : Imanuel Bay

전설적이며 세계적인 바이올린의 대가

Jascha Heifetz가 루마니아의 춤곡 Hora Staccato를

연주합니다

루마니아는 그 이름처럼,로마에서 온 사람들입니다

동유럽의 가장 풍요로운 대지에

나라를 건설했습니다~

야사 하이페츠는  뛰어난 바이올린니스트로

그의 마술같은 연주는

귀신(鬼神)도 유혹할 정도입니다!

-빌려온 글입니다-

.

Jascha Heifetz (English pronunciation: /ˈhaɪfɪts/, February 2 [O.S. January 20] 1901 -- December 10, 1987)

 was a violinist, born in Vilnius, Lithuania.

 He is widely regarded as one of the greatest violinists of all time.

Heifetz was born into a Litvak family in Vilnius, Lithuania,

then part of the Russian Empire.

His father, Reuven Heifetz, son of Elie, was a local violin teacher

and served as the concertmaster of the Vilnius Theatre Orchestra

for one season before the theatre closed down.

 

Jascha took up the violin when he was three years old

and his father was his first teacher.

At five he started lessons with Ilya D. Malkin, a former pupil of Leopold Auer.

He was a child prodigy, making his public debut at seven, in Kovno (now Kaunas, Lithuania)

playing the Violin Concerto in E minor by Felix Mendelssohn.

In 1910 he entered the Saint Petersburg Conservatory

to study under Leopold Auer himself.

He played in Germany and Scandinavia,

and met Fritz Kreisler for the first time in a Berlin private house

together with other noted violinists in attendance.

Kreisler, after accompanying the 12-year-old Heifetz at the piano

in a performance of the Mendelssohn concerto,

said to all present,

"We may as well break our fiddles across our knees."

Heifetz visited much of Europe while still in his teens.

In April 1911, Heifetz performed in an outdoor concert

in St. Petersburg before 25,000 spectators;

there was such a sensational reaction

that police officers needed to protect the young violinist

after the concert.

In 1914, Heifetz performed with the Berlin Philharmonic conducted by Arthur Nikisch.

The conductor was very impressed,

saying he had never heard such an excellent violinist.

Heifetz is considered to be one of the finest violinists of all time.

Heifetz's technical command of his instrument

-- his physical ability to play the violin with stunning precision --

is regarded by many critics as unequaled.

That physical control enabled Heifetz to produce a distinctive tone quality,

intense and shimmering, that came to be regarded as his trademark.

Yet, from time to time his near-perfect technique and conservative stage

demean or caused some critics to accuse him of being overly mechanical, even cold.

Virgil Thomson called Heifetz's style of playing "silk underwear music",

a term he did not intend as a compliment.

Other critics argue that he infused his playing with feeling and reverence for the composers' intentions.

His style of playing was highly influential

in defining the way modern violinists approach the instrument.

His use of rapid vibrato, emotionally charged portamento, fast tempos,

and superb bow control coalesced to create a highly distinctive sound

that make Heifetz's playing instantly recognizable to aficionados.

The violinist Itzhak Perlman,

who himself is noted for his rich warm tone and expressive use of portamento,

describes Heifetz's tone as like "a tornado"

because of its emotional intensity.

Perlman also said

that Heifetz preferred to be recorded

relatively close to the microphone;

as a result, one would perceive a somewhat different tone quality

when listening to Heifetz

during a concert hall performance as opposed to a recording.

Jascha Heifetz once said

that Grigoraş Dinicu was the greatest violinist

he had ever heard.

Hora Staccato - Dinicu, Heifetz (Jascha Heifetz & Emanuel Bay)